1613-1675 Dutch Gerard Dou Locations Dutch genre and portrait painter of Leiden. The son of a glass painter, he was apprenticed to an engraver and worked from 1628 to 1631 in the studio of the young Rembrandt. Although he occasionally borrowed Rembrandt themes, he was more detailed and meticulous in his execution. His scenes of domestic, middle-class life were tremendously popular and often imitated. Among his most famous works are Evening Light (Rijks Mus.), Young Man (The Hague), The Cook (Louvre), and a self-portrait (Metropolitan Mus.).   Related Paintings of Gerrit Dou :. | Painter in his studio (mk33) | Bather | Officer of the Marksman Society in Leiden | The Dropsical Lady | An Interior,with an old Woman eating Porridge (mk33) |
Related Artists:
Beckwith James Carroll
American, 1852-1917 was an American portrait painter. He was born at Hannibal, Missouri, on 23 September 1852. He studied in the National Academy of Design, New York City, of which he afterwards became a member, and in Paris (1873-1878) under Carolus Duran. Returning to the United States in 1878, he gradually became a prominent figure in American art. He took an active part in the formation of The Fine Arts Society, and was president of the National Free Art League, which attempted to secure the repeal of the American duty on works of art. Among his portraits are those of William Merritt Chase (1882), Miss Jordan (1883), Mark Twain, Thomas Allibone Janvier, John Schofield and William Walton. He taught at the Art Students League of New York -- where Violet Oakley was one of his students
Anton Faistauer
painted Alte Muhle bei Maishofen in 1911
Edward William Cooke
British Painter, 1811-1880 was an English painter and gardener. Cooke was born in London. His father George and uncle, William Bernard, were both well-known engravers and Cooke was raised in their wide artistic circle. He was a precocious draughtsman and a skilled engraver from an early age, displayed an equal preference for marine subjects and published his 'Shipping and Craft' C a series of accomplished engravings C when he was 18, in 1829. He benefited from the advice of many of his father's associates, notably Clarkson Stanfield (whose principal marine follower he became) and David Roberts. Cooke began painting in oils in 1833, took formal lessons from James Stark in 1834 and first exhibited at the Royal Academy and British Institution in 1835, by which time his style was essentially formed. He went on to travel and paint with great industry at home and abroad, indulging his love of the 17th-century Dutch marine artists with a visit to Holland in 1837. He returned regularly over the next 23 years, studying the effects of the coastal landscape and light, as well as the works of the country's Old Masters, resulting in highly successful paintings. These included 'Beaching a Pink at Scheveningen' (National Maritime Museum, London), which he exhibited in 1855 at the Royal Academy, of which he was an Associate from 1851. He went on to travel in Scandinavia, Spain, North Africa and, above all, to Venice.") Cooke was "particularly attracted by the Isle of Wight, and on his formative visit of 1835 he made a thorough study of its fishing boats and lobster pots; above all he delighted in the beaches strewn with rocks of various kinds, fishing tackle, breakwaters and small timber-propped jetties He also had serious natural history and geological interests, being a Fellow of the Linnean Society, Fellow of the Geological Society and Fellow of the Zoological Society,